Bring me the stories, the mess, and the “I don’t even know if this matters” moments. I’ll find the one that does, uncover the message hiding inside it, and turn it into a keynote only you could deliver.

You call it “that thing that happened.”
I hear the turning point.
You think it's a random detail.
I hear the line that makes a room go quiet.
You've told the story a hundred times.
I hear the message you could build an entire keynote around.
That's Story Mining.
You don't come to me with the perfect story. You come to me with your life. I find the moment.
That's what happens when someone finally sees the story you've been standing inside of.
You don't know which moment belongs on stage.
You don't know what's relevant and what's just personal.
You don't know how much to share without oversharing.
You don't know how to connect what happened to you with what you actually do.
And every time you sit down to write the keynote, you either stare at the blank page or end up trying to tell your entire life story. I call it Proximity Blindness: you skip past the story because you assume everybody has one like it. They do not.
That's why I don't ask you to write it first.
I mine it.




What could one strategically written keynote potentially create inside your business? Move the sliders and run your own numbers.
These are estimates built entirely from the assumptions you enter — scenarios, not promises. But the shape of the math is the point: a keynote either works in the room, or it doesn't.
Mine the Moment is a $2,500 investment. The goal isn't to get you onto 100 stages. It's to give you a keynote strong enough to make the right rooms understand who you are, what you do, and why they should keep the conversation going after you leave the stage.
The power is in the keynote. Not the performance of it.
Run your numbers. Then ask what the right keynote could make possible.
The stories you tell all the time.
The ones you rarely tell.
The weird little moments you don't think matter.
The wins. The failures. The decisions. The conversations. The stuff you almost forgot happened.
You talk. I listen differently.
I'm listening for the behavioral shift. The decision. The tension. The before and after. The belief that changed. The moment your audience can see themselves inside your story. And when I hear it? We mine the hell out of it.
Not an outline.
Not a template.
Not a Google Doc full of prompts for you to finish later.
I write it.
I take what we uncover during Story Mining and architect it into a professionally written signature keynote built around your story, your message, your expertise, and the audience sitting in front of you. You don't leave knowing what you should write. You leave with it written.
No script, no homework, no prep. I ask questions and you answer them. Twenty years as a behavior and trauma professional taught me which questions reach the thing underneath the thing.
I write the talk from what came out of you. Your words, your rhythm, your phrasing, pulled off the recording. You will recognize it, because it is you.
Then the Body Memorization System. You learn the talk through its structure instead of holding a manuscript in your head. Behavioral science, not stagecraft.
This is not four keynotes. It is one keynote, engineered into four lengths. The story stays intact whether you are handed eight minutes or forty, which means you stop rewriting for every stage and start saying yes faster.
No piecing together three old talks.
No wondering whether your story is “good enough.”
No rewriting the opening the night before.
No trying to sound like someone else on stage.
Your story. Your message. Your keynote.
Only now, someone finally helped you see what was there all along.
You get your private scheduling link the same day. Book your two-hour Story Mining session and come exactly as you are. Your first written draft lands within 14 days of that session, and the three revision rounds and the Body Memorization System finish inside the 40 days.
No polished story.
No keynote draft.
No homework.
Just you, your life, and two hours with me.
I'll take it from there.

If a price drops this far, the fair question is what is wrong with it. Nothing is. I have been paid $8,500 for this exact work, and $8,500 is the number it goes back to.
What is new is the package. I just cut my company down to the only two things I love doing, mining the story and writing the talk. Applications, websites, branding, all of it is gone. This is the first run of what is left.
So here is the trade, plainly. You get all of it for $2,500. In exchange, I get to record the work and use your name and your result when I start selling this at full price.
There is no second round at this price. When the five are gone, the reason for the discount is gone with them.
Dr. Brenda Combs went through this work and was selected for the keynote slot — not a breakout.
Other rooms this work has produced, not yet on the record by name: one 30-minute keynote that generated 82 sign-ups, three clients closed at $50,000 each, a book deal, a Times Square placement, and multiple TEDx stages secured.

When the forty days end, the talk is written and it is yours. Making it earn — the pitch, the intro, the room, the follow-up — is a separate problem, and Speaker 911 is where I work that with people who want it. Nothing about it is required to finish this.
The goal was never a beautiful keynote sitting in a document. The goal is for the right people to finally hear you, and then do something about it.
For now? Let's find the story first.
You don't need to know which story it is. You don't need to know how to write it. You don't even need to know whether the moment you keep thinking about matters.
That's what you hire me to figure out.